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Got a Question About an OC? Ask Away!

sidkid44:

If you guys have any questions about my girls (Daphne, Martha, Strawberry and more!), feel free to send them in!

Remember, these are not sketch requests or questions to them directly. These are questions to me about their creation, characters, back stories, etc. 

This should be fun, so if you’ve got an inquiry, please send it my way. Thanks!

Reblogging for the evening set. If you got a question, leave me an ask, thanks!

Got a Question About an OC? Ask Away!

If you guys have any questions about my girls (Daphne, Martha, Strawberry and more!), feel free to send them in!

Remember, these are not sketch requests or questions to them directly. These are questions to me about their creation, characters, back stories, etc. 

This should be fun, so if you’ve got an inquiry, please send it my way. Thanks!

Anonymous
asks:
When are you going to post the last 2 pages of the Miss Leela blueberrification commission? Last we saw her she was about to go to the juicer :)

They’re coming. I know I keep saying that and I’m past the deadline that I gave myself but they are coming. I’m not going to give an exact date but I am coloring Page 4 right now. Part of why its taken so long is deciding what to censor and what not to. I’m not sure if many people know this but Inflatetress (aka Miss Layla herself) wrote the script for the comic. If you’re unfamiliar with her work, check out her deviantART. Anyway, I think its obvious that Layla’s not going survive this ordeal and its going to be messy, very, very, VERY messy, particularly page 5. I’m on the fence of whether or not I should even make a completely censored version of Page 5 to post on dA or if I should just post a thumbnail there with a link to the original page, similar to THIS. I’m still thinking about it and I’m open to suggestions on what to do. Plus, I would prefer NOT to get slammed with comments saying that I promote rape and victim blaming when I’m adapting a script by someone about themselves.

tl:dr not sure exactly when but very soon. Prepare to see Miss Layla go supernova.

questionablepanda:

when people want free art

Yep, this is me.

questionablepanda:

when people want free art

Yep, this is me.

Art Trade: Gubell Goes Hollywood by Sidkid44

Art trade with the awesome kasurahikari on dA featuring his Lanternian lass, Gubell, showing off his inflating skillzzzzzzz

Art Trade: Gubell Goes Hollywood by Sidkid44

Art trade with the awesome kasurahikari on dA featuring his Lanternian lass, Gubell, showing off his inflating skillzzzzzzz

moosifer00:

bbboootttyyy:

"I love Dean"

Who Dean? Supernatural Dean? Gilmore Girls Dean?

No Iron Giant Dean

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Best Dean

As much as I love Dean from The Iron Giant, my heart belongs to another

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dynastylnoire:

I love my skin!

OMG THIS IS SO GREAT!

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Important.

exaggeratedproportions:

Artist: Sidkid44

Not sure if I ever put this here. Aw well, either way, enjoy some puffed up Juliet!

exaggeratedproportions:

Artist: Sidkid44

Not sure if I ever put this here. Aw well, either way, enjoy some puffed up Juliet!

Anonymous
asks:
Ketchup or Catsup?

Definitely Ketchup. Apparently Catsup’s used more in The South here in the US. I’ve never actually heard it called that to be honest.